It is Carters genius, in this collection, to make the fable of Beauty and the Beast a metaphor for all the myriad yearnings and dangers of sexual relations. Now it is the Beauty who is the stronger, now the Beast. In "The Courtship of Mr Lyon" it is for the Beauty to save the Beasts life, while in "The Tigers Bride", Beauty will be erotically transformed into an exquisite animal herself: ". . . each stroke of his tongue ripped off skin after skin, all the skins of a life in the world, and left behind a nascent patina of hairs. My earrings turned back to water. . . I shrugged the drops off my beautiful fur." As though her whole body were being deflowered and so metamorphosing into a new instrument of desire, allowing her admission to a new ("animal" in the sense of spiritual as well as tigerish) world. In "The Erl-King", however, Beauty and the Beast will not be reconciled. Here there is neither healing, nor submission, but revenge.

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